“Hoghe moves with economy and care, gently yet fiercely; every motion is pristine, inundated with dramatic import. Ueno is supple, mild, in a position to leap with abandon one minute and also to describe patterns that are delicate their fingers the second.” – The Brand New Yorker
Raimund Hoghe is certainly one of many pioneers of dance dramaturgy and also as a musician, is a vanguard that is true of party in European countries, challenging old-fashioned notions associated with the human anatomy and beauty in party and culture through works which are “concentrated exams of humanity”. Their decade-long partnership with Pina Bausch is oftentimes referenced as a crucial collaboration from a choreographer and a party dramaturg, plus one which had an important effect on dance-making today.
For Hoghe, going onstage is taking on movie manufacturer Pasolini’s terms to “throw the human body to the fight”. Revealing and doing along with his very very own uncommon framework, Hoghe masterfully disrupts our problematic criteria of human body excellence which he thinks equate people towards the status of design things. Beyond this declaration of exposure, the figures inside the work aren’t just real and private, but unfold to become complex spaces that think on history and tradition.
The japanese dancer Takashi Ueno in Pas de Deux, Hoghe is joined onstage by one of his regular collaborators. A series of delicate interactions around quintessentially everyday objects of Japanese culture, imbuing them with layers of meaning with subtlety, humour and an eclectic profusion of jazz, classical music and poetry, Hoghe structures. Delicate and mild motions, marked by ritual and deep connection that is human increase right into a cathartic resonance of the time and beauty.
Bearing a title that alludes to virtuosity that is balletic this minimalist duet is alternatively a meditative discussion of motion between two contrasting real figures, and a thought-provoking discussion between these various web web sites of memory and history. This performance marks an unusual and very first look of Hoghe in Singapore.
About Raimund Hoghe Raimund Hoghe was created in Wuppertal and began his profession by composing portraits of outsiders and superstars for the German newspaper that is weekly Zeit. We were holding later on put together in many publications. From 1980 to 1990 he worked as dramaturg for Pina Bausch’s Tanztheater Wuppertal, that also became the matter that is subject two more porn houb publications. Since 1989 he has got been taking care of their own theater pieces for assorted dancers and actors. In 1992 he began his collaboration using the musician Luca Giacomo Schulte, that is nevertheless their creative collaborator. In 1994 he produced their very very first solamente for himself, Meinwarts, which with the subsequent Chambre separee (1997) and Another fantasy (2000) made a trilogy in the twentieth century.
Hoghe often works well with tv on jobs such as for example Lebenstraume (1994) and Der Buckel, their 1997 self that is hour-long for WDR (western German Radio and tv). Their books have now been translated into a few languages and then he has presented their shows all over European countries, along with North and south usa, Asia and Australia. He lives in Dusseldorf and has now been granted a few awards like the Deutscher Produzentenpreis fur Choreografie in 2001, the French Prix de la Critique in 2006 for Swan Lake, 4 Acts (into the category “Best Foreign part”). Experts from the mag ballet-tanz awarded him “Dancer of the” for 2008 year. Publications about their theater works were posted in France, Germany, the uk plus the usa.